Welcome
April: G&S's Trial by Jury!
Trial by Jury, Gilbert & Sullivan’s first opera, is a one-act comic operetta featuring the absurdity, humor, witty wordplay and singable tunes the team would become famous for with later collaborations like H.M.S. Pinafore and The Pirates of Penzance. The story takes place in a courtroom during a “breach of a promise of marriage” lawsuit, and lightly satirizes the legal system and its leading players. Auditions are Thursday 1/23 and Friday 1/24! Sign up for a slot here: https://collegearts.yale.edu/opportunities/auditions/audition-trial-jury Interested in working production for Trial by Jury? Let us know at this form: https://forms.gle/uvhv247QYrfu2gXE8 Performances April 3-5, 2025
Directed by Thisbe Wu
Music Directed by Everett Tolbert-Schwartz
Produced by Ava Gaughan
https://collegearts.yale.edu/events/shows-screenings/trial-jury October: SIX: an Opera Cabaret!
To be a woman in opera is to suffer at the hands of men. Inspired by the Broadway musical SIX, OTYC presents a cabaret in which six of opera’s leading ladies come together to lament their mistreatment, find strength in one another’s company, and maybe even plot their revenge…
Performances October 11-13, 2024
Directed by Ava Gaughan and Everett Tolbert-Schwartz
https://collegearts.yale.edu/events/shows-screenings/six-opera-cabaret December: Mariano A. Fernández's Darwin en Patagonia!
A new Spanish-language opera composed by JE Arts Fellow Mariano Fernández with a libretto by Diego Golombek follows Charles Darwin and the crew of the Beagle on their five-year journey around the world, as Darwin meditates on his dangerous ideas about evolution.
Performances December 5-6, 2024
Directed by Abby Trejo
Music Directed by Zeph Siebler and Rory Bricca
Produced by Veronica Zimmer
https://collegearts.yale.edu/events/shows-screenings/darwin-en-patagonia
Please feel free to email ava.gaughan@yale.edu or sean.liu@yale.edu with any questions!
Cheers to a great season ahead of us!
The Opera Theatre of Yale College stands in solidarity with the Black community following the brutal murders of George Floyd, Breonna Taylor, Ahmaud Arbery, Tony McDade, and countless others. We strongly support the ongoing protests across the world and those who are working to break systemic and racist patterns of police brutality and anti-Black violence. Black lives matter.
OTYC has reflected both on our failures and on our values. We have long failed to program the work of Black composers, and the upcoming season we had originally planned was no different. We have been complicit in racism in performance art, and this is unacceptable. We promise to break cycles of exclusion, and to modify our repertoire selections for this and future seasons. We pledge to prioritize diversity of experiences and voices in future programming.
In our next election cycle, we will introduce two new board positions: Diversity Chair and Community Outreach Chair. The Diversity Chair will be responsible for maintaining diversity in casting and programming. They will organize and deliver an annual seminar surrounding anti-racist theater methods, which will be mandatory for the OTYC board and open to the Yale community. The Community Outreach Chair will be responsible for creating and curating educational resources such as pre-concert talks and partnerships with local schools.
While we are committed to sustained action, we know that these actions can never right the wrongs we have perpetrated in the past; they are just the beginning of a long conversation about how OTYC can and will do better.
Yours in solidarity,
The Opera Theatre of Yale College
The Opera Theater of Yale College, Yale’s only student-run undergraduate opera organization, is now in its twenty-first season. Founded in the fall of 1998, its initial production of Handel’s Julius Caesar, which was fully-staged and sung in Italian, drew great critical acclaim. Since, OTYC has expanded and grown.
OTYC is entirely student-run, and designed to provide undergraduates at Yale College with opportunities to choose repertoire, produce, direct, design, and perform. Our members are singers, instrumentalists, conductors, theatre technicians, costume and set designers, choreographers, and dancers. OTYC is governed by a board of students who have varying backgrounds and experiences, but who are committed to making opera fun and accessible to everyone.
Our seasons reflect our growing organization. We perform around four operas each academic year, three of which are accompanied by an orchestra with full set and costume. Our repertoire spans a wide range of languages and styles, from baroque to contemporary.
We are committed to bringing creative, thoughtful, and innovative opera productions to the Yale and New Haven communities. We look forward to seeing you at our upcoming performances!
Here is OTYC’s official conflict reporting form, where you can anonymously register complaints and report conflicts related to any OTYC event, communication, or production.
Additionally, here is a link with information regarding Yale’s Title IX compliance and contacts.